Main Content
Despair has often
been my companion.
Oh, lovely snow falling!
Endnotes
I just stole this poem from Stephanie Ivanoff (don’t tell her).
Despair has often
been my companion.
Oh, lovely snow falling!
I just stole this poem from Stephanie Ivanoff (don’t tell her).
I’m having some rendering issues in Opera and MSIE.
I want to include currency and version information at the end of poem titles. I’ve decided to print a superscript current draft asterisk directly above a subscript version number.
I’ve attempted various methods, such as negative left margins to move the superscript over the top of the subscript, but the best looking was to enclose the <sub>
and <sup>
in a <span>
and float:left
the <sup>
.
As can be seen in the screenshots below, it renders as I expected it to in WebKit and Gekco browsers, but not in Opera or IE. Opera inserts a horizontal space between the superscript and subscript. MSIE places the superscript below the subscript.
I don’t have a Windows machine, so no IE, and browsershots.org has yet to give me a grab; I have to rely friends to send me screenshots, so working on an IE solution is slow going. …Read on for screenshots and the code I’m working with.
I’m making progress on the wordpress theme for this site. Here’s a screenshot explaining the new features
All I can tell you is words come slow like rain in the middle of what would become known simply as the drought—a little understatement we could hang on to while hot winds scoured the landscape. Winter ended swiftly. In one day the ice melted and the hot wind arose from out of the west. The hills grew ragged and dusty.
The wind shifted north, killing off livestock. Eventually we were blasted by hot currents from every direction. It never rained again, the wind never died, everything crumbled. I don’t remember that last day other than as a dream: delicate flesh stinging from the cold; brittle ice cutting into cheeks; a red nose peeks out from under a scarf.
I awoke to the itching and flaking of burnt flesh, in time to catch a tree slowly falling, its topmost branches snap loose, crash into the rugged earth, and crumble before the trunk catches up. In the beginning the downed wood would have been swarmed by carpenter ants and termites—but there are none left, they couldn’t survive the undying furnace, ever stoked by growing windstorms.
Every step was thought to be the last. Every step digging a little deeper into the loose ground. After the trees abated their war against gravity, their dry roots gave way and forests fell. Collapsing like the rest of life, simply giving up and letting go and laying down en masse.
The terrible wind blows and trees die. It howls and you know there is one less thing to care about. The sun glares and you bleed dry, and you walk—trying to stand on loose ground. Trying to walk over ground that crumbles into the hallows left by decayed roots. There was a time, I remind myself, that the ground was solid. When the earth was supported by a series of roots, invisible but for the structures they supported. There was a strong and resilient earth, covered with life drawing strength from an invisible web of roots. Roots surrounded by damp ground. Roots I once cursed for hampering my digging. Roots that meandered their way into my compost heap, seemingly demanding to be dug out—extinguished.
Roots that would have died by now anyway. Roots that were the last to see it coming. Roots that didn’t know that the world above was withering into dust, and sand, and neglect. Suddenly alone in empty dry ground. Suddenly vanishing, ripping open holes in their death.
Welcome home. Welcome to a world where a thousand non-decisions have been cast by outsiders, a thousand words of advice from unaware and unmindful idols flinging unthoughtful opinions at their trusting admirers. Leading, eventually, to dry winds scouring a hallow earth.
ASiP is set up to force you to accept the bad with the good. You have to learn that you'll produce a lot of bad for a little good.
I have fond memories of Greenhouse Christmas which aren’t reflected in the poem itself. I thought it was much better. Although, it does come from the time period where I was experimenting with narrative mode. I like the ambiguity and subtleness of the characters, there’s a shift there that I hope jerks readers askew into experiencing multiple realities. If it doesn’t for you, don’t be alarmed, it’s just a poorly written poem.
I’ll probably never go back to it. But I may get inspired during my Buffy/Angel rewatch—I’m up to BtVS s5 / AtS s2, if anything will help me capture a good narrative flow and otherworldliness it will be those seasons.
I’d like to blather on, but I have TV to watch.