For Anna (Murder, She Called It)


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For Anna (previously titled Murder She Called It) is an immersive sound sculpture, born from a deeply personal journey through therapy. Inspired by a breakthrough session with my therapist, Anna, this piece explores what it means to confront oneself in the void, where guilt and forgiveness battle in silence.

This soundscape captures the raw tension of self-reconciliation. Ethereal vocals, haunting drones, and fragmented textures echo the themes of violence, vulnerability, and the cold, honest work of inner survival. As each layer unfolds, it draws the listener closer to that critical moment of confrontation—the meeting with the self, in all its complexity.

Dedicated to Anna, who guided me to face these emotions head-on, For Anna is an exploration of what it means to survive one’s inner turmoil and begin the process of self-forgiveness.

Thank you for listening, and I invite you to reflect on your own journey within.

Continue reading For Anna (Murder, She Called It)

Put a Jiggle On It


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Generative Jiggies
Dronescape no. 96
YEAR: 2021
TAGS: ambient, soundart, experimental, drone, generative, dronescape, 96
URL: Persistent
MIRRORS: Archive Audio | Archive Video | SoundCloud | YouTube
IMAGES: Frame Grabs
LICENSE: Attribution-NonCommercial-ShareAlike 4.0 International

Drone

You know, I have no idea what to call the artifacts of my work…oh, geez, pretentious much?

I have no idea what to call the audio I make. The genre it best marches is Drone…and even though it’s been around since the mid-twentieth century, few know of it.

And Drone has too many meanings
Radio controlled toys and flying death machines
Low ranked or oblivious worker
Mindless follower
Background noise
A musical form that played with note lengths and timing
An digital music genre that shapes overlapping waves
The sound of existence

Drone is the sound of the fabric of reality stretching to accommodate existence
It’s the self creating scofffold straining under the weight of being

That’s how I use the word Drone