Drought

All I can tell you is words come slow like rain in the middle of what would become known simply as the drought—a little understatement we could hang on to while hot winds scoured the landscape. Winter ended swiftly. In one day the ice melted and the hot wind arose from out of the west. The hills grew ragged and dusty.

The wind shifted north, killing off livestock. Eventually we were blasted by hot currents from every direction. It never rained again, the wind never died, everything crumbled. I don’t remember that last day other than as a dream: delicate flesh stinging from the cold; brittle ice cutting into cheeks; a red nose peeks out from under a scarf.

I awoke to the itching and flaking of burnt flesh, in time to catch a tree slowly falling, its topmost branches snap loose, crash into the rugged earth, and crumble before the trunk catches up. In the beginning the downed wood would have been swarmed by carpenter ants and termites—but there are none left, they couldn’t survive the undying furnace, ever stoked by growing windstorms.

Every step was thought to be the last. Every step digging a little deeper into the loose ground. After the trees abated their war against gravity, their dry roots gave way and forests fell. Collapsing like the rest of life, simply giving up and letting go and laying down en masse.

The terrible wind blows and trees die. It howls and you know there is one less thing to care about. The sun glares and you bleed dry, and you walk—trying to stand on loose ground. Trying to walk over ground that crumbles into the hallows left by decayed roots. There was a time, I remind myself, that the ground was solid. When the earth was supported by a series of roots, invisible but for the structures they supported. There was a strong and resilient earth, covered with life drawing strength from an invisible web of roots. Roots surrounded by damp ground. Roots I once cursed for hampering my digging. Roots that meandered their way into my compost heap, seemingly demanding to be dug out—extinguished.

Roots that would have died by now anyway. Roots that were the last to see it coming. Roots that didn’t know that the world above was withering into dust, and sand, and neglect. Suddenly alone in empty dry ground. Suddenly vanishing, ripping open holes in their death.

Welcome home. Welcome to a world where a thousand non-decisions have been cast by outsiders, a thousand words of advice from unaware and unmindful idols flinging unthoughtful opinions at their trusting admirers. Leading, eventually, to dry winds scouring a hallow earth.

Continue reading Drought

Not what I remember

Introduction

ASiP is set up to force you to accept the bad with the good. You have to learn that you'll produce a lot of bad for a little good.

Main Content

I have fond memories of Greenhouse Christmas which aren’t reflected in the poem itself. I thought it was much better. Although, it does come from the time period where I was experimenting with narrative mode. I like the ambiguity and subtleness of the characters, there’s a shift there that I hope jerks readers askew into experiencing multiple realities. If it doesn’t for you, don’t be alarmed, it’s just a poorly written poem.

I’ll probably never go back to it. But I may get inspired during my Buffy/Angel rewatch—I’m up to BtVS s5 / AtS s2, if anything will help me capture a good narrative flow and otherworldliness it will be those seasons.

I’d like to blather on, but I have TV to watch.

Greenhouse Christmas

Epigraph

This experiment in POV and the sudden flipping thereof is a year old.

Main Content

Walk to the greenhouse,
Sit by the heater,
Enjoy the warmth.

Pull out an iPod and a notebook,
Smile at the rustling plastic,
Lean back to day-dream—

And crash into the heater.

Blackness followed by a growing awareness.

The yellow notebook is buried in mulch.
The heater is on its back.

Jump to your feet,
Lift the heater,
Trip over the chair—

Vague images of hair over eyes,
Close-up of lips.
Strip out the soundtrack and make me
Say what should’ve been said.

The iPod is face down inside a clay pot.
The screen is not cracked.

Dig out the notebook and
Write what you came out here to write.

What’s going on

My recent stuff is my best. One element of that is I wrote it on paper, with pen, in notebooks. Transcription is evil, made no less so by necessity.

In the meantime you guys are gonna be left with the dregs of poems I have in (try not to say cloud, or bits, or electronically. try not to say agh, in a digital, agh form)

We begin with whaat to include.rtf, a richtext file on my desktop. It was created Wednesday, November 2, 2011 2:02 AM, modified Tuesday, November 8, 2011 6:43 PM, and last opened now. It has no label.

The first line of the document is:
a short selection of current poems not stuck on paper

The first poem Driftwood is black helevetica 12 pt. Titles are bold. Some poems are 50% black—already posted. Some of the black ones are really really bad.

But not all, I am posting all the remaining black ones that I can bear. Maybe all of them. I am going to tag them black (until I can figure out if this calls for a new taxonomy, post-type, custom field, or series).

UPDATE: I just tagged the others grey so you can look at the whole set if you want. (that I’ve had the balls to post). The only exceptions is the Chinese Problem is tagged both black and grey because it should have made the first cut.